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The Arts Fuse is an online arts magazine covering cultural events in Greater Boston, as well as Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, Vermont, and New York providing a next generation platform for arts and culture consumers across New England and beyond. The Arts Fuse has published more than 2,000 articles and provides in-depth criticism, previews, interviews, and commentary on dance, film, food, literature, music, theater, television, video games, and visual arts. As Editor in Chief of The Arts Fuse,〔http://artsfuse.org/arts-infusers-editors-and-contributors/editorial-and-operations/〕 a non-profit web magazine Marx launched in July 2007,〔http://artsfuse.org/about-us/〕 Bill Marx helped increase editorial coverage of the arts and culture across Greater Boston. Bill Marx began publishing The Arts Fuse in reaction to the declining arts coverage in newspapers, magazines, radio, and television, creating a site that could experiments with professional online arts criticism, looking at new and innovative ways to use online platforms to evolve cultural conversations and bring together critics, readers, and artists.〔()"In a Seriously Artistic City, a Home for Serious Discussion About the Arts"〕 The Arts Fuse’s writers and critics currently include: * Harvey Blume (The New York Times,〔http://query.nytimes.com/search/sitesearch/#/harvey+blume〕 The Boston Globe, Wired, Agni) * Jonathan Blumhofer (Worcester Telegram,〔http://www.telegram.com/article/20131117/NEWS/311179611/1312〕 Worcester Magazine, composed music that has been performed at Camerata Chicago, Kiev Philharmonic, and Juventas New Music Ensemble) * Daniel Bosch (The New Republic, Poetry magazine, Slate magazine, The Paris Review, teaches expository writing at Tufts University) * Jackson Braider * Richard Bunbury (Boston University, Boston Conservatory, The New Grove Dictionary of Music and Musicians) * J. R. Carroll (WKCR, Crawdaddy!, WBUR Online Arts site) * Debra Cash (The Boston Globe, WBUR, Scholar in Residence, Bates Dance Festival and Jacob's Pillow) * Peter-Adrian Cohen (To Pay the Price, has had plays produced in Schauspielhaus Zürich and Theater Freiburg) * Maryann Corbett (poet, author, Breath Control, Gardening in a Time of War, and Dissonance) * Vincent Czyz (author, Adrift in a Vanishing City, Shenandoah (magazine), AGNI (magazine), Louisiana Literature) * David D'Arcy * Nora Delaney (poet, Tiles Kissing Close, Fulcrum (newspaper), Jacket (magazine)) * Maureen Dezell (author, Irish America: Coming Into Clover, Boston Business Journal, The Boston Globe, The Boston Phoenix) * Franklin Einspruch (New Criterion, Weekly Dig, Big Red & Shiny〔http://www.bigredandshiny.com/cgi-bin/BRS.cgi?view=archive&v=1&start=1&s=FRANKLIN+EINSPRUCH&bA=&inc=50&sort=1&field=3&match=1&aAuth=1〕), * Adam Ellsworth (WBUR, YNE Magazine, KevChino.com, Online Music Reviews) * Steve Elman (The Boston Globe, The Boston Phoenix, WBUR) * Helen Epstein (Journalist The New York Times, The Washington Post, The New Yorker, Author of six books, and co-publisher of Plunkett Lake Press E-books) * Iris Fanger (Boston Herald, The Boston Phoenix, Christian Science Monitor, Dance Magazine, Dancing Times, The New York Times, Patriot Ledger) * Jon Garelick (The Boston Phoenix) * Joann Green Breuer (Cambridge Ensemble, Vineyard Playhouse, author of The Small Theatre Handbook) * Justin Grosslight (scholar and entrepreneur) * Alyssa Hall * Matt Hanson * Kevin Hong (Harvard advocate) * Tim Jackson (film critic, member of the Boston Society of Film Critics, documentary filmmaker, Chaos and Order: Making American Theater, Radical Jesters, When Things Go Wrong) * Marcia Karp (Free Inquiry, Oxford Magazine, The Times Literary Supplement, The Warwick Review, Ploughshares, Harvard Review, Agenda, Literary Imagination, Seneca Review, The Guardian, The Republic of Letters, Partisan Review) * Jim Kates (Zephyr Press) * Peter Keough (The Boston Phoenix) * Tess Lewis (essayist and translator) * Blake Maddux * Bill Marx (Boston Globe, Boston Phoenix, Boston Review, Columbia Journalism Review, Los Angeles Times, Parnassus (magazine), Village Voice, Washington Post Book World, WBUR, and WGBH) * Grace Dane Mazur (author, Hinges: Meditations on the Portals of the Imagination, teacher, MFA Program for Writers at Warren Wilson, fiction editor at Tupelo Press) * Charles McEnerney (MovieMaker magazine, Well-Rounded Radio) * David Mehegan * Milo Miles (reviews world-music and American-roots music for “Fresh Air with Terry Gross," The Boston Phoenix, Rolling Stone magazine, The Village Voice, The New York Times.) * Susan Miron (harpist, A Bard’s Feast, Boston Musical Intelligencer) * Steve Mossberg (jazz pianist, music teacher, Clark University, Cambridge Public Schools) * Christopher M. Ohge (Ph.D. candidate at the Editorial Institute at Boston University) * Melanie O’Neill (undergraduate music student with a minor in journalism at Boston University) * Gerald Peary (The Boston Phoenix,〔http://thephoenix.com/search/default.aspx?cx=017264708226751834838%3Apeuly07layy&q=gerald%20peary&sa=Search&cof=FORID%3A11#1156〕 Suffolk University, University Press of Mississippi, Boston Society of Film Critics, writer - director of the feature documentary For the Love of Movies: The Story of American Film Criticism and an author of 9 books on film) * Troy Pozirekides * Anna Razumnaya (Battersea Review, Chtenia, Essays in Criticism, Literary Imagination) * Robert Ribera (Sleepover Shows) * Glenn Rifkin (The New York Times) * Evelyn Rosenthal (former editor in chief and head of publications at the Harvard Art Museums) * Jason M. Rubin (author of The Grave & the Gay, Progression magazine) * Noah Schaffer * Gary Schwartz (author, Rembrandt: All the Etchings in True Size, Rembrandt: His Life, His Paintings: and The Rembrandt Book, winner of Prize for the Humanities by the Prince Bernhard Cultural Foundation of Amsterdam) * George Scialabba (editor, The Baffler, and author, What Are Intellectuals Good For? and The Modern Predicament) * Betsy Sherman * Roberta Silman (Guggenheim Fellowship and National Endowment for the Arts Fellowships for fiction, author, Blood Relations, Boundaries, The Dream Dredger Beginning the World Again, Somebody Else’s Child, Honorable Mention for the PEN Hemingway Prize and the Janet Heidinger Kafka Prize, the Child Study Association prize, and two Pen Syndicated Fiction prizes. Stories have appeared in The New Yorker, The Atlantic, McCalls, The American Scholar (magazine), and The Virginia Quarterly Review. Two have been read on Selected Shorts and NPR. * Sally Levitt Steinberg (author, The Donut Book, The Book of Joy, The New York Times, Boston Globe, The new yorker) * Ian Thal (performance artist and theatre educator) * Brigitte Tournier (French teacher at Buckingham Browne & Nichols school) * Anthony Wallace (Senior Lecturer in the Arts and Sciences Writing Program at Boston University, CutBank, The Atlanta Review, Another Chicago Magazine, The Florida Review, and River Styx. He has twice a finalist for the Flannery O'Connor Award for Short Fiction. * Austen R. Walsh (Boston University Communications student, The Needle Drop) * Peter Walsh (Harvard Art Museums, the Museum of Fine Arts, Boston, Wellesley College, The Metropolitan Museum of Art, Dartmouth College, and the Boston Athenaeum) In 2011, The Arts Fuse received a grant from Mass Humanities for its Judicial Review, an online, in-depth, and interactive discussion of the issues raised by the arts on The Arts Fuse. The Arts Fuse also won CBS Boston's Most Valuable Blogger Award in 2011.〔http://boston.blogger.cbslocal.com/most-valuable-blogger/blog/482-the-arts-fuse/〕 ==References== External Links: *(The Arts Fuse official site ) *(Arts Fuse Editor Bill Marx Talks at Boston University about Arts Coverage, Teaching, and Books in Translation ) *(Podcast: MIT Communications Forum: "The Culture Beat and New Media: Arts Journalism in the Internet Era" with Bill Marx and Doug McLellan ) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Arts Fuse」の詳細全文を読む スポンサード リンク
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